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Russian Resurrection 2008 - FESTIVAL PROGRAMME
Russian Resurrection - Russian Film Festival 2008
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2008 SYDNEY SPECIAL EVENT

The New Babylon: Shostakovich the Music/Kozintsev the Film

Lovers of traditional Russian cinema and classical music will be captivated by the premiere live performance of the original Dmitri Shostakovich score by the SBS Youth Orchestra, Conductor Matthew Krel, to accompany the screening of The New Babylon (1929). Directed by the internationally award winning pair, Gregoriy Kozintsev and Leonid Trauberg, this wonderful event will take place on Sunday 9th November at the City Recital Hall Angel Place, Sydney.

Since its debut performance in Moscow in 1929, The New Babylon has only been accompanied by a live orchestra 5 times. Russian Resurrection is extremely delighted to present the inaugural live performance screening in Australia, a unique occasion to see and hear this masterpiece of Soviet expressionist silent cinema as it was originally envisaged.

Sydney Premiere Performance

Date Sunday 9th November
Time 4:00pm – 6.00pm
Venue City Recital Hall Angel Place
Location 2 Angel Place
Sydney NSW
Price $35
Tickets available www.cityrecitalhall.com
or call 02 8256 2222


The New Babylon
Новый Вавилон

1929
Silent Film with Live Orchestra
Expressionist Revolutionary Drama

Director: 
Gregoriy Kozintsev and Leonid Trauberg

Starring
David Gutman, Yelena Kuzmina, Andrei Kostrichkin, Sofiya Magarill

Duration
92 minutes

Facts
Since its debut performance in Moscow in 1929, New Babylon has only been accompanied by a live orchestra 5 times.

Russian Resurrection will present the inaugural live performance screening in Australia

The New Babylon

This ground-breaking film is an experimental and politically-inspired melodrama about violence, revolution and class-conflict between the Paris workers and the bourgeoisie during the Commune of 1871. The film’s heroine Louise works as a clerk in a luxury store in Paris – the New Babylon of the film’s title. Forced by the circumstances of her position to cater to the whims of the rich, her sympathies lie with the working-class patriots, and as she becomes increasingly politicised she joins the Communards, sacrificing herself in pursuit of her principals and ‘The Cause’.

New Babylon is a powerful reminder of the incredible explosion of artistic energy in 1920s Russia – an explosion which reverberates even today. Kozintsev, Trauberg and Shostakovich all truly believed that film could and would change the world.

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